Shadows of Sorrow: Unraveling the Haunting Mystery of Samlesbury Hall

In the eerie recesses and hidden corners of Preston, a city cloaked in darkness, lie unsuspecting

buildings that harbor secrets that would send shivers down the bravest spine. Among these enigmatic edifices stands Samlesbury Hall, its charming black and white timber exterior betraying the horrors that dwell within.

Tracing its origins back to the year 1325, Samlesbury Hall holds within its ancient walls a history that is steeped in shadows and mystery. What once served as a familial sanctuary for the Southworths now stands as a haunting testament to tragedy and malevolent apparitions, a sinister reputation that echoes through the ages.

Foremost among the spectral phantoms that roam these accursed halls is the White Lady, her spectral presence a chilling vision for those who dare cross her path. Visitors and staff alike have glimpsed her ethereal form not only within the Hall but also in the nearby fields and even at the desolate bus stop, where drivers halt in confusion, finding no living soul to board.

This melancholic specter bears the tragic burden of Dorothy Southworth, a young woman entangled in a forbidden love affair with a suitor from an Anglican aristocratic family. Love's defiance met a cruel fate when her strict Catholic family discovered the clandestine romance, unleashing a night of treacherous ambush that claimed her lover's life and those of his companions. Banished to a foreign convent, Dorothy's heart succumbed to sorrow, and her spectral essence lingers still, haunting the grounds where tragedy befell her.

Further within these hallowed walls, the Priest Room bears witness to a spectral presence, a ghostly figure said to be the restless spirit of a murdered priest. His decapitation by malevolent hands still stains the very floor on which he fell, the chilling mark of a heinous crime that defies the passage of time.

But the Hall's sinister history does not end there, for in ages past, the witches of Samlesbury faced accusations that would send shivers through the stoutest hearts. Accused of witchcraft in 1612, Jane Southworth, along with Jennet Bierley and Ellen Bierley, endured a harrowing ordeal as the malevolence of deceit and manipulation took root. A young girl's coerced confession led to a trial that subjected the accused women to degrading tests, a cruel display of dark and superstitious paranoia.

Even the Harrison family, philanthropists and entrepreneurs who once called this hall their own, were not spared from the unyielding grip of misfortune. Joseph Harrison's son, William, met with tragedy after a terrible fall and a deadly encounter with a rabid dog. His untimely demise, shrouded in ambiguity, left a legacy of sorrow that still taints the Hall's corridors to this day.

The restless spirits of the Harrison family are said to linger, their anguished presence evoking unexplained phenomena such as bells ringing of their own accord, a haunting reminder of the torment that once beset this cursed domain.

Samlesbury Hall, a place of beauty marred by a haunting past, beckons the daring and the curious to delve into its dark history, where whispers of horror and witchcraft echo in every corner. Beware, dear reader, for within these walls, the boundary between the living and the dead becomes blurred, and the chilling embrace of the supernatural waits to ensnare those who dare venture forth into the realm of nightmares.

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The Haunting Tale of John "Jack" Sheppard: A Phantom Thief's Spectral Escapes and Demise

John "Jack" Sheppard (4 March 1702 – 16 November 1724), or "Honest Jack", was a notorious

John "Jack" Sheppard

English thief and notorious prison escapee of early 18th-century London.

Born into a poor family, he was apprenticed as a carpenter but began committing theft and burglary in 1723, with little more than a year of his training to complete. He was arrested and imprisoned five times in 1724 but escaped four times from prison, making him notorious, though popular with the poorer classes. Ultimately, he was caught, convicted, and hanged at Tyburn, ending his brief criminal career after less than two years.

The inability of the notorious "Thief-Taker General" Jonathan Wild to control Sheppard, and the injuries suffered by Wild at the hands of Sheppard's colleague Joseph "Blueskin" Blake, resulted in Wild's demise as a criminal boss.

Sheppard was as renowned for his attempts to escape from prison as he was for his crimes. An autobiographical "Narrative", thought to have been ghostwritten by Daniel Defoe, was sold at his execution, quickly followed by popular plays.

The character of Macheath in John Gay's The Beggar's Opera (1728) was based on Sheppard, keeping him well-known for more than 100 years. He returned to the public consciousness around 1840, when William Harrison Ainsworth wrote a novel entitled Jack Sheppard, with illustrations by George Cruikshank. The popularity of his tale, and the fear that others would be drawn to emulate his behaviour, caused the authorities to refuse to license any plays in London with "Jack Sheppard" in the title for forty years.

Life Early

Sheppard was born in White's Row, in London's Spitalfields. He was baptised on 5 March, the day after he was born, at St Dunstan's, Stepney, suggesting a fear of infant mortality by his parents, perhaps because the newborn was weak or sickly. His parents named him after an older brother, John, who had died before Sheppard's birth. In life, he was better known as Jack, or even "Gentleman Jack" or "Jack the Lad". He had a second brother, Thomas, and a younger sister, Mary. Their father, a carpenter, died while Sheppard was young, and his sister died two years later.

Unable to support her family without her husband's income, Jack's mother sent him to Mr Garrett's School, a workhouse near St Helen's Bishopsgate, when he was six years old. Sheppard was sent out as a parish apprentice to a cane-chair maker, taking a settlement of 20 shillings, but his new master soon died. He was sent out to a second cane-chair maker, but Sheppard was treated badly. Finally, when Sheppard was 10 years old, he went to work as a shop-boy for William Kneebone, a wool draper with a shop on the Strand.

Wych Street, off Drury Lane

Sheppard's mother had been working for Kneebone since her husband's death. Kneebone taught Sheppard to read and write and apprenticed him to a carpenter, Owen Wood, in Wych Street, off Drury Lane in Covent Garden. Sheppard signed his seven-year indenture on 2 April 1717.

By 1722, Sheppard was showing great promise as a carpenter. Aged 20, he was a small man, only 5'4" (1.63 m) and lightly built, but deceptively strong. He had a pale face with large, dark eyes, a wide mouth and a quick smile. Despite a slight stutter, his wit made him popular in the taverns of Drury ,. He served five unblemished years of his apprenticeship but then began to become involved with crime.

Joseph Hayne, a button-molder who owned a shop nearby, also managed a tavern named the Black Lion off Drury Lane, which he encouraged the local apprentices to frequent.

The Black Lion was visited by criminals such as Joseph "Blueskin" Blake, Sheppard's future partner in crime, and self-proclaimed "Thief-Taker General" Jonathan Wild, secretly the boss of a criminal gang which operated across London and later Sheppard's implacable enemy.

According to Sheppard's autobiography, he had been an innocent until going to Hayne's tavern, but there began a preference for strong drink and the affections of Elizabeth Lyon, a prostitute also known as Edgworth Bess (or Edgeworth Bess) from her place of birth at Edgeworth in Middlesex. In his History, Defoe records that Bess was "a main lodestone in attracting of him up to this Eminence of Guilt". Such, Sheppard claimed, was the source of his later ruin.

Peter Linebaugh offers a more politicized version: that Sheppard's sudden transformation was a liberation from the dull drudgery of indentured labour and that he progressed from pious servitude to self-confident rebellion and Levelling.

Criminal Career

Sheppard began habitually drinking and whoring. Inevitably, his carpentry suffered, and he became disobedient to his master. With Lyon's encouragement, Sheppard began criminal activity in order to augment his legitimate wages. His first recorded theft was in Spring 1723, when he engaged in petty shoplifting, stealing two silver spoons while on an errand for his master to the Rummer Tavern in Charing Cross.

Sheppard's misdeeds were undetected, and he progressed to larger crimes, often stealing goods from the houses where he was working. Finally, he quit the employ of his master on 2 August 1723, with less than two years of his apprenticeship left, although he continued to work as a journeyman carpenter. He was not suspected of the crimes, and progressed to burglary, in company with criminals in Jonathan Wild's gang.

He relocated to Fulham, living as husband and wife with Lyon at Parsons Green, before relocating to Piccadilly. When Lyon was arrested and imprisoned at St Giles's Roundhouse, the beadle, a Mr Brown, refused to let Sheppard visit, so he broke in and took her away.

Arrested and escaped twice.

Sheppard was first arrested after a burglary he committed with his brother, Tom, and his mistress, Lyon, in Clare Market on 5 February 1724. Tom, also a carpenter, had already been convicted once for stealing tools from his master the previous autumn and burned in the hand. Tom was arrested again on 24 April 1724. Afraid that he would be hanged this time, Tom informed on Jack, and a warrant was issued for Jack's arrest.

Jonathan Wild was aware of Sheppard's thefts, as Sheppard had fenced some stolen goods through one of Wild's men, William Field. Wild asked another of his men, James Sykes (known as "Hell and Fury") to challenge Sheppard to a game of skittles at Redgate's public house near Seven Dials.

Sykes betrayed Sheppard to a Mr Price, a constable from the parish of St Giles, to gather the usual £40 reward for giving information resulting in the conviction of a felon. The magistrate, Justice Parry, had Sheppard imprisoned overnight on the top floor of St Giles's Roundhouse pending further questioning, but Sheppard escaped within three hours by breaking through the timber ceiling and lowering himself to the ground with a rope fashioned from bedclothes.

Still wearing irons, Sheppard coolly joined the crowd that had been attracted by the sounds of his breaking out. He distracted their attention by pointing to the shadows on the roof and shouting that he could see the escapee, and then swiftly departed. Jack used a rope of knotted bedclothes to lower Bess during their escape from the New Prison in Clerkenwell.

On 19 May 1724, Sheppard was arrested for a second time, caught in the act of picking a

pocket in Leicester Fields (near present-day Leicester Square). He was detained overnight in St Ann's Roundhouse in Soho and visited there the next day by Lyon; she was recognised as his wife and locked in a cell with him.

They appeared before Justice Walters, who sent them to the New Prison in Clerkenwell, but they escaped from their cell, known as the Newgate Ward, within a matter of days.

By 25 May, Whitsun Monday, Sheppard and Lyon had filed through their manacles; they removed a bar from the window and used their knotted bedclothes to descend to ground level. Finding themselves in the yard of the neighboring Bridewell, they clambered over the 22-foot-high (6.7 m) prison gate to freedom. This feat was widely publicised, not least because Sheppard was only a small man, and Lyon was a large, buxom woman.

Third arrest, trial, and third escape

Sheppard's thieving abilities were admired by Jonathan Wild. Wild demanded that Sheppard

surrender his stolen goods for Wild to fence, and so take the greater profits, but Sheppard refused. He began to work with Joseph "Blueskin" Blake, and they burgled Sheppard's former master, William Kneebone, on Sunday 12 July 1724.

Wild could not permit Sheppard to continue outside his control and began to seek Sheppard's arrest. Unfortunately for Sheppard, his fence, William Field, was one of Wild's men. After Sheppard had a brief foray with Blueskin as highwaymen on the Hampstead Road on Sunday 19 July and Monday 20 July, Field informed on Sheppard to Wild.

Wild believed Lyon would know Sheppard's whereabouts, so he plied her with drinks at a brandy shop near Temple Bar until she betrayed him. Sheppard was arrested a third time at Blueskin's mother's brandy shop in Rosemary Lane, east of the Tower of London (later renamed Royal Mint Street), on 23 July by Wild's henchman, Quilt Arnold.

Sheppard was imprisoned in Newgate Prison pending his trial at the next Assize of over and terminer. He was prosecuted on three charges of theft at the Old Bailey but was acquitted on the first two due to lack of evidence. Kneebone, Wild, and Field gave evidence against him on the third charge, the burglary of Kneebone's house. He was convicted on 12 August, the case "being plainly proved", and sentenced to death.

On Monday 31 August, the very day when the death warrant arrived from the court in Windsor setting Friday 4 September as the date for his execution, Sheppard escaped. Having loosened an iron bar in a window used when talking to visitors, he was visited by Lyon and Poll Maggott, who distracted the guards while he removed the bar (security was lax compared to that of later years; the guard-to-prisoner ratio at Newgate in 1724 was 1:90, and wives could stay overnight.

His slight build enabled him to climb through the resulting gap in the grille, and he was smuggled out of Newgate in women's clothing that his visitors had brought him. He took a coach to Blackfriars Stairs, a boat up the river Thames to the horse ferry in Westminster, near the warehouse where he hid his stolen goods, and completed his escape.

Fourth arrest and final escape

Jack Sheppard in Newgate Prison before his fourth escape, from the frontispiece of the "Narrative" of his life, published by John Applebee in 1724. The label "A" marks the hole he made in the chimney during his escape.

By this time, Sheppard was a hero to a segment of the population, being a cockney, non-violent, handsome and seemingly able to escape punishment for his crimes at will. He spent a few days out of London, visiting a friend's family in Chipping Warden in Northamptonshire, but was soon back in town.

He evaded capture by Wild and his men but was arrested again on 9 September by a posse from Newgate as he hid on Finchley Common, and returned to the condemned cell at Newgate. His fame had increased with each escape, and he was visited in prison by various people.

His plans to escape during September were thwarted twice when the guards found files and other tools in his cell, and he was transferred to a strong room in Newgate known as the "Castle", put in leg irons, and chained to two metal staples in the floor to prevent further escape attempts.

After demonstrating to his jailers that these measures were insufficient, by showing them how he could use a small nail to unlock the horse padlock at will, he was bound more tightly and handcuffed.

In his History, Defoe reports that Sheppard made light of his predicament, joking that "I am the Sheppard, and all the Gaolers in the Town are my Flock, and I cannot stir into the Country, but they are all at my Heels Laughing after me".

Meanwhile, "Blueskin" Blake was arrested by Wild and his men on Friday 9 October, and Tom, Jack's brother, was transported for robbery on Saturday 10 October 1724.] New court sessions began on Wednesday 14 October, and Blueskin was tried on Thursday 15 October, with Field and Wild again giving evidence.

Their accounts were not consistent with the evidence that they gave at Sheppard's trial, but Blueskin was convicted anyway. Enraged, Blueskin attacked Wild in the courtroom, slashing his throat with a pocket-knife and causing an uproar.] Wild was lucky to survive, and his control of his criminal gang was weakened while he recuperated.

Taking advantage of the disturbance, which spread to Newgate Prison next door and continued into the night, Sheppard escaped for the fourth time.

He unlocked his handcuffs and removed the chains. Still encumbered by his leg irons, he attempted to climb up the chimney, but his path was blocked by an iron bar set into the brickwork. He removed the bar and used it to break through the ceiling into the "Red Room" above the "Castle", a room which had last been used some seven years before to confine aristocratic Jacobite prisoners after the Battle of Preston.

Still wearing his leg irons as night began, he then broke through six barred doors into the prison chapel, then to the roof of Newgate, 60 feet (20 m) above the ground. He went back down to his cell to get a blanket, then back to the roof of the prison, and used the blanket to reach the roof of an adjacent house, owned by William Bird, a turner. He broke into Bird's house, and went down the stairs and out into the street at around midnight without disturbing the occupants. Escaping through the streets to the north and west, Sheppard hid in a cowshed in Tottenham (near modern Tottenham Court Road.

Spotted by the barn's owner, Sheppard told him that he had escaped from Bridewell Prison, having been imprisoned there for failing to provide for a (nonexistent) bastard son. His leg irons remained in place for several days until he persuaded a passing shoemaker to accept the considerable sum of 20 shillings to bring a blacksmith's tools and help him remove them, telling him the same tale.

His manacles and leg irons were later recovered in the rooms of Kate Cook, one of Sheppard's mistresses. This escape astonished everyone. Daniel Defoe, working as a journalist, wrote an account for John Applebee, The History of the Remarkable Life of John Sheppard. In his History, Defoe reports the belief in Newgate that the Devil came in person to assist Sheppard's escape.

Final capture

Jack Sheppard, in Newgate Prison awaiting execution, in an engraving by George White from 1728, based on a painting by James Thornhill which has not survived. Note that Sheppard's hair is cropped and that he points toward the door.

Sheppard's final period of liberty lasted just two weeks. He disguised himself as a beggar and returned to the city. He broke into the Rawlins brothers' pawnbroker's shop in Drury Lane on the night of 29 October 1724, taking a black silk suit, a silver sword, rings, watches, a wig, and other items.

He dressed himself as a dandy gentleman and used the proceeds to spend a day and the ensuing evening on the tiles with two mistresses. He was arrested a final time in the early morning on 1 November, drunk, "in a handsome Suit of Black, with a Diamond Ring and a carnelian ring on his Finger, and a fine Light Tye Peruke".

This time, Sheppard was placed in the Middle Stone Room, in the centre of Newgate next to the "Castle", where he could be observed at all times. He was also loaded with 300 pounds of iron weights.

He was so celebrated that the jailers charged high society visitors four shillings to see him, and the King's painter James Thornhill painted his portrait. Several prominent people sent a petition to King George I, begging for his sentence of death to be commuted to transportation.

"The Concourse of People of tolerable Fashion to see him was exceeding Great, he was always Cheerful and Pleasant to a Degree, as turning almost everything as was said onto a Jest and Banter. To a Reverend Wagstaffe who visited him, he said, according to Defoe, "One file's worth all the Bibles in the World".

Sheppard came before Mr Justice Powis in the Court of King's Bench at Westminster Hall on 10 November. He was offered the chance to have his sentence reduced by informing on his associates, but he scorned the offer, and the death sentence was confirmed. The next day, Blueskin was hanged, and Sheppard was moved to the condemned cell.

Execution

The next Monday, 16 November, Sheppard was taken to the gallows at Tyburn to be hanged.

He planned one more escape, but his penknife, intended to cut the ropes binding him on the way to the gallows, was found by a prison warder shortly before he left Newgate for the last time.

A joyous procession passed through the streets of London, with Sheppard's cart drawn along Holborn and Oxford Street accompanied by a mounted City Marshal and liveried Javelin Men. The occasion was as much as anything a celebration of Sheppard's life, attended by crowds of as many as 200,000 people (one-third of London's population).

The procession halted at the City of Oxford tavern on Oxford Street, where Sheppard drank a pint of sack. A carnival atmosphere pervaded Tyburn, where his "official" autobiography, published by Applebee and probably ghostwritten by Defoe, was on sale.

Sheppard handed "a paper to someone as he mounted the scaffold", perhaps as a symbolic endorsement of the account in the "Narrative". His slight build had aided his previous prison escapes, but it caused him a slow death by strangulation from the hangman's noose.

After hanging for the prescribed 15 minutes, his body was cut down. The crowd pressed forward to stop his body from being removed, fearing dissection; their actions inadvertently prevented Sheppard's friends from implementing a plan to take his body to a doctor in an attempt to revive him. His badly mauled remains were recovered later and buried in the churchyard of St Martin-in-the-Fields that evening.

Legacy Poster for the play Jack Sheppard performed at the Royal Lyceum Theatre.

There was a spectacular public reaction to Sheppard's deeds, which were cited favorably as an example in newspapers. Pamphlets, broadsheets, and ballads were all devoted to his amazing experiences, real and fictional, and his story was adapted for the stage almost immediately.

Harlequin Sheppard, a pantomime by one John Thurmond (subtitled "A night scene in grotesque characters"), opened at the Theatre Royal, Drury Lane, on Saturday 28 November, only two weeks after Sheppard's hanging. In a famous contemporary sermon, a London preacher drew on Sheppard's popular escapes as a way of holding his congregation's attention:

Let me exhort ye, then, to open the locks of your hearts with the nail of repentance! Burst asunder the fetters of your beloved lusts! – mount the chimney of hope! – take from thence the bar of good resolution! – break through the stone wall of despair!

The account of his life remained well-known through the Newgate Calendar, and a three-act farce was published but never produced, but mixed with songs, it became The Quaker's Opera, later performed at Bartholomew Fair.

An imagined dialogue between Jack Sheppard and Julius Caesar was published in the British Journal on 4 December 1724, in which Sheppard favorably compares his virtues and exploits to those of Caesar. Perhaps the most prominent play based on Sheppard's life is John Gay's The Beggar's Opera (1728). Sheppard was the inspiration for the character Captain Macheath; his nemesis, Peachum, is based on Jonathan Wild.

The play was spectacularly popular, restoring the fortune that Gay had lost in the South Sea Bubble, and was produced regularly for more than 100 years. An unperformed but published play The Prison-Breaker was turned into The Quaker's Opera (in imitation of The Beggar's Opera) and performed at Bartholomew Fair in 1725 and 1728. Two centuries later The Beggar's Opera was the basis for The Threepenny Opera by Bertolt Brecht and Kurt Weill (1928).

Sheppard's tale may have been an inspiration for William Hogarth's 1747 series of 12 engravings, Industry and Idleness, which shows the parallel habituation of an apprentice, Tom Idle, to crime, resulting in his being hung, beside the fortunes of his fellow apprentice, Francis Goodchild, who marries his master's daughter and takes over his business, becoming wealthy as a result, eventually emulating Dick Whittington to become Lord Mayor of London.

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"Eternal Echoes: The Haunting Tale of Pip's Graves Beckons from the Shadows"

In the quaint and eerie village of Cooling, nestled amidst the dark and brooding landscape, lies a churchyard steeped in a haunting history. This somber burial ground, shroude d in a thick mist,

conceals the graves of thirteen innocent souls, whose lives were cut short in the grip of a merciless fate. These thirteen children, born in the years between 1771 and 1779, were interred beneath lozenge-shaped markers, solemnly buttressing their parents' stone.

Tragedy seemed to haunt the families, as none of these young souls were destined to survive beyond seventeen months. The ten graves on one side belonged to the children of Michael and Jane Comport, who dwelt in the imposing Cooling Manor. The melancholic names echo like an anguished refrain: William, William, James, Francis, William, Elizab

eth, Sarah, Thomas, Elizabeth, and Mary. Across from them, lay the three gravestones of John and Sarah Anne Rose-Baker's children; Ellen, Sarah, and John, all of whom reportedly succumbed to the relentless grip of ague, an unforgiving malaria that swept them away too soon.

Legend has it that these graves, veiled in a mournful silence, had once captured the imagination of none other than the famed wordsmith, Charles Dickens. In his immortal work, 'Great Expectations,' he immortalized the heart-wrenching sight with haunting prose. He described the little stone lozenges, each about a foot and a half long, arranged in a neat row beside their parents' final resting places. Dickens' pen lent the graves an ethereal aura, tying their sorrowful presence to the tale of Pip, the protagonist, and his fateful encounter with the enigmatic Magwitch, within these very hallowed grounds.

Whispers of ghostly occurrences in the churchyard abound, warning all to stay away after the sun has set. Superstitious souls claim to have heard phantom voices and seen ethereal figures wandering among the tombstones, perhaps the anguished souls of the departed, still yearning for solace in the realm of the living.

The Saint James Church, where these poignant graves are located, stands as a timeworn sentinel, a 13th-century structure veiled in antiquity. Once a favored haunt of Charles Dickens, the author found solace and inspiration within these aged walls. He would often partake in solitary picnics amidst the crumbling tombstones, seeking communion with the spirits of the past.

Today, this ancient church is managed by The Churches Conservation Trust, a caretaker of history and a preserver of haunting tales. The villagers, ever mindful of the lingering spirits, have affectionately christened this site as "Pip's Graves," a tribute to the literary connection and the chilling opening scene of 'Great Expectations.'

Thus, the graves of the thirteen unfortunate children in Cooling Churchyard remain as a testament to both the relentless hand of fate and the boundless power of the written word. Their silent whispers continue to echo through the ages, captivating the hearts of those who dare to venture into this ghostly realm, for the tale of their sorrowful lives is forever etched in the annals of literature, intertwining their somber existence with the immortal pen of Charles Dickens and his melancholic genius.

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